CUSTOM DESIGNED PART III: THE FINAL FITTING

georgette

Putting the gown together is the first step to getting a perfect fit on your wedding day. Whether you're going contemporary or traditional, in a ball gown or a sheath, in the end every bride should demand a perfect fit.
Generally, a bride has about three dress fittings after all the fine tuning is done on the muslin. There are always more nips and tucks and all those small details. Whenever there's a final fitting, that's when we--the bride and myself-- do the real minute work, making sure every button lines up, every hook and eye are in the right closing points and so on. In addition, a final fitting is the perfect time to really stand back and appraise the dress as a whole. Here's what I look for in the end product: I like to see fabrics drape well and mold to the skin like sculpture. A wedding gown should be comfortable and beautifully lined so the client wears it like a second skin . . . the whole component moving with her as if it is part of her body. She's going to be hugging people, dancing and toasting to name a few things. Before I let any gown leave the studio, I have brides dance with utter abandon, twirl, lean over, bend and stretch in all directions to make sure the gown looks and feels like it is her own.

I will say the last and most critical detail has to be the hemline. Typically most are at least an inch shorter in the front than the back, graduating in length along the sides. The tips of your shoes should be seen under the gown so once you start walking, you'll glide smooth as silk down the aisle.

A COOL HEAD

The above hat is a total throwback to 1960s head chic--something Jean Shrimpton would have worn. The sprig of Baby's Breath below says, 'Are you ready for Spring . . .?'

SHOOT CHIC

Ever wonder what goes on behind the scenes of a gown shoot? Here are a few of my new creations shot Friday by the incredibly talented Saira Rizwan of S1 Studio here in the SF Bay Area. We took seven gowns, two great stylists with hair and makeup and one inventive florist to make all this magic happen.
Hairstylist, Dana Faulkner working on Shauna's hair between gown shots

My favorite, the 'Ciara' gown. Handrolled dupioni roses on a fitted sheath offers a real 1940s look we played to the hilt. Can't wait to see all the images on this shoot. Stay with me a couple more weeks when I'll be posting images.

GOOD-BYE WINTER

Enjoy these lovely, free-spirited images by photographer Elizabeth Luna taken at a trash the dress session at Lake Arrowhead, California (yes it snows in SoCal). Elizabeth and a few others planned this amazing shoot that turned out to be so much more than they ever expected . . .

PEACHES N' CREAM

Peaches and Cream

I'm a redhead so these colors go with my DNA. Wondering how many out there are drawn to this combo of monochromatics. Thanks to Peri Edmonds from Melbourne who whipped up this beautiful concoction on SMP.

ALL A FLUTTER

Martha Stewart

This article ran in Martha Stewart Weddings Winter 2002 and almost ten years later still rings true. On the subject of plumes, here's some timeless advise quoting a portion of the the article verbatim:

--For centuries, feathers have been a favorite trimming for hats. Huge Edwardian picture hats were covered in them, while chic little 1940s toques sported single ostrich plumes. A feathered hat is a dramatic choice. It will focus all eyes on your face. To avoid getting lost beneath one, choose makeup that's glamorous and glossy (no natural lips and pale eyes). Also, it is preferable to wear your hair pulled back in a chignon or tucked behind your ears; a fancy hairdo or full tousle of curls would compete with the trimming. A feathered hat usually works best with a straight, narrow clothing silhouette such as a tailored suit or long, columnar gown. But it is not an ideal choice for an outdoor wedding, where an unexpected breeze might send your plumes fluttering over your groom. A large feathered hat should be removed for pictures (it can cast shadows or hide your face). You may also want to set it aside during your reception. Above, clockwise from left: A mini cartwheel with ostrich feathers can be worn at an angle to flatter a round face. A pagoda hat with organza petals and ostrich feathers enhances a narrow face. A dramatic white-felt picture hat with feathers is stunning when paired with a portrait collar. A small pillbox covered with marabou lends a whimsical air to a tailored suit. --

COMING UP SHORT

For those of you contemplating going tea length or shorter for your wedding, Novia d'art has some of the most original looks going. The exquisite detailing as well as fabric/lace combos put these dresses in a class by themselves.


Photos courtesy Novia d'art